Grammy-winning singer The Weeknd made sure to leave fans wanting more after delivering an epic Super Bowl LV performance. The Canadian superstar treated millions of viewers to endless hits and plenty of fireworks from start through finish.
The Weeknd Super Bowl Halftime Greatness
For nearly 20 minutes, Weeknd came through with hits everyone could remember. From his most recent singles to classics he started his career out with in the early 2010s, the Toronto crooner held every generation down.
He opened with “Starboy” and “The Hills.” When he did “Can’t Feel My Face,” he went into a tight mirrored corridor accompanied by a bunch of people with their faces bandaged up. He reemerged for “I Feel It Coming” and “Save Your Tears.” A string section joined him for “Earned It.” The Weeknd and his dancers hit the field for “House of Balloons” (yes—a Siouxsie and the Banshees sample played at the Super Bowl) and then a massive performance of “Blinding Lights.” (Pitchfork)
The Weeknd Deals With Grammy Snub
When Grammy nominations were announced in November and The Weeknd was completely snubbed for his album After Hours, no one could believe it. The artist reacted by calling the awards “corrupt” and demanding answers. In a recent Billboard magazine cover story, he promised he had moved on.
“Look, I personally don’t care anymore. I have three Grammys, which mean nothing to me now, obviously. It’s not like, ‘Oh, I want the Grammy!’ It’s just that this happened, and I’m down to get in front of the fire, as long as it never happens again. I suck at giving speeches anyways. Forget awards shows.”
The Weeknd Is Ready For The Super Bowl Stage
One of the conspiracy theories floating around was that the Grammys were punishing The Weeknd after he decided to perform the Super Bowl halftime show rather than perform at the Grammys.
The True Inspiration
Abel Tesfaye recently said he’s been more inspired than ever before during the pandemic. His reasoning included a variety of things, including the Black Lives Matter movement.
“I have been more inspired and creative during the pandemic than I might normally be while on the road… The pandemic, the Black Lives Matter movement, and the tensions of the election have mostly created a sense of gratitude for what I have and closeness with the people near me… I feel like I spent the last 10 years creating a sound and most of my career I’ve either been running away from it or duplicating it. After Hours was the perfect piece of art for me to show my tenure in the industry.”
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